Nowadays when we can create light and colour of the picture with the help of digital apps, it seems rather odd that it took several decades for color photography to regain its rightful place in collections and museums. The Kodak color film was already introduced in the 1920s and the full production of the improved Kodachrome began in 1935. For a long time, however, the color photographs had muted tones: the crowd dressed more than modestly, burgundy cars, brown houses.
However, when colour photography finally overthrew its monochrome father it became the major source of inspiration and work for many artists such as Mitch Epstein, William Eggleston and Joel Meyerowitz.
However, when colour photography finally overthrew its monochrome father it became the major source of inspiration and work for many artists such as Mitch Epstein, William Eggleston and Joel Meyerowitz.
29 June, 2020
Pioneers in colour in photography: William Eggleston, Joel Meyerowitz and Mitch Epstein
Nowadays when we can create light and colour of the picture with the help of digital apps, it seems rather odd that it took several decades for color photography to regain its rightful place in collections and museums. The Kodak color film was already introduced in the 1920s and the full production of the improved Kodachrome began in 1935. For a long time, however, the color photographs had muted tones: the crowd dressed more than modestly, burgundy cars, brown houses.
However, when colour photography finally overthrew its monochrome father it became the major source of inspiration and work for many artists such as Mitch Epstein, William Eggleston and Joel Meyerowitz.
However, when colour photography finally overthrew its monochrome father it became the major source of inspiration and work for many artists such as Mitch Epstein, William Eggleston and Joel Meyerowitz.
An LA-based photographer Amanda Charchian believes it’s the intention of the photographer that distinguishes fine art photography from the commercial and documentary one. And her own intention has always been to empower (women), she says. This might sound rather inconsistent, looking at the works by Amanda, which illuminate intimacy, if not to say vulnerability, of the female nature… But what if consider fragility the best working condition, a perfect angle to explore and amaze?
21 June, 2020
In Focus: Amanda Charchian
An LA-based photographer Amanda Charchian believes it’s the intention of the photographer that distinguishes fine art photography from the commercial and documentary one. And her own intention has always been to empower (women), she says. This might sound rather inconsistent, looking at the works by Amanda, which illuminate intimacy, if not to say vulnerability, of the female nature… But what if consider fragility the best working condition, a perfect angle to explore and amaze?
In our new column In Focus we’re talking about aspiring photographers who have their own aesthetics and also got something to say to the world. Tonight’s guest is Heather Hazzan — a 30-year-old photographer based in New York and a plus-size model in the recent past.
11 June, 2020
In Focus: Heather Hazzan
In our new column In Focus we’re talking about aspiring photographers who have their own aesthetics and also got something to say to the world. Tonight’s guest is Heather Hazzan — a 30-year-old photographer based in New York and a plus-size model in the recent past.
“My SECRET GARDEN “, is a new exhibition by Russian born visual artist KRISTINA OKAN . The opening reception is scheduled to take place on THURSDAY the 25th of JUNE starting at 7:.00 pm at the HAZEGALLERY, Berlin The art exhibition features artist’s ceramic, drawing and graphic works and will be on display until 01 August.
7 June, 2020
"My Secret Garden" by Kristina Okan
“My SECRET GARDEN “, is a new exhibition by Russian born visual artist KRISTINA OKAN . The opening reception is scheduled to take place on THURSDAY the 25th of JUNE starting at 7:.00 pm at the HAZEGALLERY, Berlin The art exhibition features artist’s ceramic, drawing and graphic works and will be on display until 01 August.
In our new column In Focus we’re going to talk about aspiring photographers who have their own aesthetics and also got something to say to the world.
When does this magic moment occur that defines the photograph as a work of art? While the photographer looks around to excerpt the right sujet from the surrounding, or perhaps once the sujet has been determined and the author pushes the camera button? Can it be the certain context evolving later, which makes the photograph true art or there might be something intangible and magnetic in the work a priori? Whatever it is, each artist has one’s own philosophy and way to capture the most inspiring negatives of the reality.
When does this magic moment occur that defines the photograph as a work of art? While the photographer looks around to excerpt the right sujet from the surrounding, or perhaps once the sujet has been determined and the author pushes the camera button? Can it be the certain context evolving later, which makes the photograph true art or there might be something intangible and magnetic in the work a priori? Whatever it is, each artist has one’s own philosophy and way to capture the most inspiring negatives of the reality.
5 June, 2020
In Focus: Wing Shya
In our new column In Focus we’re going to talk about aspiring photographers who have their own aesthetics and also got something to say to the world.
When does this magic moment occur that defines the photograph as a work of art? While the photographer looks around to excerpt the right sujet from the surrounding, or perhaps once the sujet has been determined and the author pushes the camera button? Can it be the certain context evolving later, which makes the photograph true art or there might be something intangible and magnetic in the work a priori? Whatever it is, each artist has one’s own philosophy and way to capture the most inspiring negatives of the reality.
When does this magic moment occur that defines the photograph as a work of art? While the photographer looks around to excerpt the right sujet from the surrounding, or perhaps once the sujet has been determined and the author pushes the camera button? Can it be the certain context evolving later, which makes the photograph true art or there might be something intangible and magnetic in the work a priori? Whatever it is, each artist has one’s own philosophy and way to capture the most inspiring negatives of the reality.