Religious motives and biblical scenes are among the most favorite subjects for artists of all times because they are full of mystical experiences and multicultural narratives. Christianity since its very beginning has been a religion based on iconical images. We can remember many great painters in the Middle Ages and in the Renaissance. But these were the times when most people were believers. Why do we thrill so deeply when we see these icons now?

The Shape of Color project is a kind of manifest of the unlimited possibilities of our perception. Marina WitteMann, being a synesthete, feels the world a little deeper and more fully than the other persons, she sees in color the emotional states of surrounding people, vivid experiences, pain, anger and euphoria. That is why the works presented at the exhibition strive to break out of the framework of generally accepted art forms. That which had no volume, breaks through the two-dimensional space, color acquires shape, paper — texture, depth. Each work at the exhibition is an outspoken image formed through the prism of the artist's perception, through the fusion of several sensory levels at once.

The Project Give Art a Chance is our way to try to unite people and show that we are all humans and we all want to live in peace. In this exhibition, you can see many works from different artists who work in various techniques and with different themes. But all of them are discussing with viewers in a peaceful tone and reflecting on the situation, about humanity.

Victoria Rosenman's Concepts for Mitigations project explores the essence of our subconscious phobias, psychological traumas and offers various utopian instruments, psychograms, material objects and abstract solutions that help to mitigate the burden of thoughts oppressing us, to alleviate inner anxiety.

The exhibition Dinner with the Monster tells of childhood fears that many of us carry through our lives. Irina Drozd explores in her works how people since childhood test the boundaries of what is permissible in society and what is not, and why, and how far each of us can go. This is a kind of dialogue with one's inner demons, the stereotypes of good and evil, which the author wraps up in the images of fairy-tale characters and attributes familiar to us from childhood.