- catalogue
- fashion photography
- photographers
- Interview
- Anna Moroz
- Ermanno Cavaliere
- Open Call
- artist
- solo exhibition
- hazegallery
- visiual artist
- colour
- William Eggleston
- Joel Meyerowitz
- Mitch Epstein
- Anna Tsvell
- daria berg
- 3d
- conceptual
- gallery
- artphotography
- Alma Haser
- ceramics
- graphics
- kristina okan
- KATJA WUNDER
- Abstract expressionism
- Conceptualism
- Neo-dadaism
- Pop art
- contemporary art
- Noa Riechenberg
- open call
- news
- Koto Bolofo
- Vivian Maier
- Lillian Bassman
- Sandy Skoglund
- installations
- feminism
- art
- artist interview
- conversations with artist
- exhibition
- Lia Anna Hennig
- painting
- drawing
- Uldus Bakhtiozina
- malevich
- rodchenko
- Costakis
- fashion
- designer
- dress
- Tomo Koizumi
- fashionarticle
- Anastasia Tanzybaeva
- in focus
- interview
- fashion illustration
- meet the artist
- postmodern
- graffiti
- architecture
- Opening
- Exhibition
- Rachel Papo
- post exhibition note
- illustration
- infocus
- Gleeson Paulino
- collage
Nowadays when we can create light and colour of the picture with the help of digital apps, it seems rather odd that it took several decades for color photography to regain its rightful place in collections and museums. The Kodak color film was already introduced in the 1920s and the full production of the improved Kodachrome began in 1935. For a long time, however, the color photographs had muted tones: the crowd dressed more than modestly, burgundy cars, brown houses.
However, when colour photography finally overthrew its monochrome father it became the major source of inspiration and work for many artists such as Mitch Epstein, William Eggleston and Joel Meyerowitz.
However, when colour photography finally overthrew its monochrome father it became the major source of inspiration and work for many artists such as Mitch Epstein, William Eggleston and Joel Meyerowitz.
29 June, 2020
Pioneers in colour in photography: William Eggleston, Joel Meyerowitz and Mitch Epstein
Nowadays when we can create light and colour of the picture with the help of digital apps, it seems rather odd that it took several decades for color photography to regain its rightful place in collections and museums. The Kodak color film was already introduced in the 1920s and the full production of the improved Kodachrome began in 1935. For a long time, however, the color photographs had muted tones: the crowd dressed more than modestly, burgundy cars, brown houses.
However, when colour photography finally overthrew its monochrome father it became the major source of inspiration and work for many artists such as Mitch Epstein, William Eggleston and Joel Meyerowitz.
However, when colour photography finally overthrew its monochrome father it became the major source of inspiration and work for many artists such as Mitch Epstein, William Eggleston and Joel Meyerowitz.